How Geese is Changing Live Music

On Saturday, Sept. 27, 2025 the rock band Geese performed a show in Banker’s Anchor, a public park in Brooklyn. This show was put on to celebrate the release of their third album Getting Killed. What was most notable about this show though, other than the incredible performance and hundreds of dedicated fans crowded in the streets and rooftops, was the show’s cost. Not a single fan had to pay for a ticket. 

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Lorde’s Ultrasound Tour at Madison Square Garden

On Wednesday, Oct. 1, Lorde sold out Madison Square Garden, marking it one of the biggest shows of her career. The Ultrasound Tour features songs from her new album “Virgin”, as well as other fan favorites from her entire musical career. The show's openers were the indie artists Chanel Beads and The Japanese House, setting a dynamic atmosphere in anticipation of Lorde's set.

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Wolf Alice’s The Clearing Tour

Rowsell, decked in the stunning chartreuse leotard pictured on the new album’s cover, commanded the stage with the flare and playfulness of a natural performer. She took on remarkably different affects throughout the set, from a golden-age Broadway prima donna to a (comically barefoot) dictator, marching around stage with a megaphone for the hard vocals of “Yuk Foo” and “Play the Greatest Hits.” For other songs, like “Just Two Girls” and “The Sofa,” the atmosphere became more intimate, her carefree gracefulness bringing to mind how one might dance alone in their bathroom while getting ready to go out.

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“Songs of a Lost World” is The Cure at Their Soul Crushing Best

On Nov. 1,  English rock band The Cure released their first studio album since 2008’s 4:13 Dream. During the 16 years between the release of their previous album and this new one, titled “Songs of a Lost World”, it seemed as though the band had accepted their status as a legacy act, content to play the hits and release live albums, deluxe editions of past releases and even an ‘acoustic hits’ album in 2017. But with the release of Songs of a Lost World, it is obvious that The Cure still has plenty to say as it approaches its 50th year as a project.

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“Real Emo” and Looking Towards a Genreless Future

If you’re at all attuned to chronically online music discourse like I am, you may have noticed that the definition of “emo” varies drastically depending on who you ask. When I was in middle school (in 2014-2015), the “emo trinity” was the bands My Chemical Romance, Fall Out Boy and Panic! at the Disco (Author’s note: I cannot confidently claim this is true among today’s emo middle schoolers, as I don’t know any I can ask — which is probably for the best). Now, try touting these bands as emo in front of the most annoying music guy you know and be prepared to get hit with a “well, actually,” and pointed in the direction of bands like Sunny Day Real Estate, American Football and Modern Baseball (and if you try to argue with me about the examples I provide here, you may be that annoying music guy).

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Breakthrough Screening Series: “The Cathedral” with Filmmaker Ricky D'Ambrose

“The Cathedral,” an award-winning drama narrative film by filmmaker Ricky D’Ambrose, made its Sarah Lawrence premiere on Oct. 2 in the Heimbold Donnelly Theater among an audience of students and faculty. The screening was an hour and a half in length, followed by a Q&A with D’Ambrose. The dialogue allowed for the inspiration behind the film to be shed in an open, impactful light following the film

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You Should Listen to More Bad Music

If the runaway success of Charli xcx’s latest album,“BRAT”, has proven anything, it’s that electronic dance pop is back. Acts like 100 gecs and underscores released well-received albums in 2023, and the rise of hyperpop and its associated genres such as bubblegum bass and electropop in mainstream popularity over the past few years means the pop music landscape is looking more lively than it has in a long time.

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